The Quiet Coup in Live Music Consulting
The announcement that Conway Entertainment Group Live Consulting has officially launched is being framed by industry insiders as a natural expansion. That’s the official line. The unspoken truth, however, is that this move represents a strategic, almost predatory grab for control over the increasingly fragmented live music industry ecosystem. When a major player in talent booking pivots aggressively into consulting, it's not offering advice; it's drawing battle lines.
We are currently witnessing a critical inflection point in artist management. The pandemic accelerated the shift of power away from traditional gatekeepers toward artists who can directly monetize their digital presence. Conway, a known force, isn't just adapting; they are attempting to re-establish the old hierarchy under a new, seemingly benevolent banner. They are selling 'expertise' to artists who are currently navigating a minefield of post-touring economics, but the price of admission might be future autonomy.
The Hidden Agenda: Data and Deal Flow
Why launch a consulting division now, rather than simply expanding existing booking services? Because the margins in pure booking are shrinking, squeezed by digital ticketing giants and direct-to-fan platforms. Consulting, conversely, offers access to the most valuable commodity in modern entertainment: granular performance data and early sightlines on emerging talent pipelines. This division isn't designed to help the struggling mid-tier band; it’s designed to identify high-potential assets before the major labels or rival agencies can lock them down.
The real winners here aren't the artists receiving the 'advice.' The winners are the executives at Conway who now have a direct pipeline into the internal strategy sessions of multiple competing acts. This intelligence is gold. Think about the historical precedent: major financial institutions often offer 'advisory services' before making strategic investments. This is the entertainment equivalent. For context on how these structures evolve, look at the consolidation patterns in major media conglomerates across the last decade, as documented by organizations like the Reuters Institute for the Study of Journalism.
The Contrarian View: Why This Strategy Will Backfire
The industry narrative suggests this centralized consulting model will streamline operations for artists. I predict the opposite. The younger generation of creators values transparency and decentralized control far more than their predecessors. While Conway might capture the established acts desperate for stability, they risk alienating the next wave of disruptors. Artists today are wary of any entity that demands a piece of the backend without providing demonstrable, unique value that can’t be sourced elsewhere. If Conway’s advice is merely best practices already available via industry trade publications or specialized music industry white papers, this division will atrophy quickly.
What Happens Next? The Consolidation Wave
My bold prediction: Within 18 months, Conway Live Consulting will pivot again. They will use the data gathered to justify the acquisition of a smaller, technologically agile ticketing or direct-to-fan engagement firm. This isn't about being a better consultant; it’s about becoming a more vertically integrated gatekeeper. They are mapping the terrain to build a fortress. The ultimate goal isn't service provision; it's owning the infrastructure that connects the artist to the ticket buyer. Those artists who resist this advisory embrace early on will find themselves paying higher commissions down the line as the market contracts around Conway’s newly established standards for 'professional management.'